Author: Guest Contributors
Movement Matters: An Interview with Jacinda Ratcliffe
Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the…
Pas de Queer: Giselle, 2.0
Editor’s Note: The following is an adapted synopsis to Giselle, based on Kaitlyn’s first experience with the ballet when it was performed by the Joffrey…
Carefully crafted, contained Salty Lark splits a bill with Philly’s Naked Stark
CHICAGO —This past weekend Madeleine Reber and her company Salty Lark Dance shared a split bill called 664 Miles with Philadelphia-based choreographer Katherine Kiefer Stark’s…
Pas de Queer: A gender neutral grand allegro
A few months ago, something cool happened in ballet class. TEACHER: “After the pirouette, ladies: tombé, pas de bourree, glissade, jeté. Men: tombé pas de…
Movement Matters: An Interview with Jose Santiago Perez
Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the…
Contemporary, classical works and a holiday favorite to fill Madison Ballet’s season
MADISON, WI — Wisconsin’s Madison Ballet will usher in the 2017-2018 season with a variety of mixed-repertory performances and its annual production of The Nutcracker –…
Pas de Queer: So, what’s your type?
Editor‘s Note: I’m so delighted to introduce Kaitlyn Dessoffy as a contributor to Art Intercepts, writing a new column called “Pas de Queer”. Kaitlyn will be…
Movement Matters: An Interview with ALEXA GRÆ
Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the…
Movement Matters: An interview with Kiam Marcelo Junio
Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the…
Movement Matters: An Interview with Joshua Ishmon
Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the…
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