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Art Intercepts is an online platform for critical discourse about midwestern dance and performance

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News, reviews, and columns for and about the dance community.

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Qualitative research and literature reviews, plus relevant, evidence-based resources for the dance community.

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Catch up with the newest content on Art Intercepts.

The long game of elevating Chicago dance

By on November 17, 2017

CHICAGO — Elevate Chicago Dance came and went in October, and here I find myself near the end of November and still mulling over it. The one-time-only, three-day dance extravaganza known as Elevate Chicago Dance was organized by the Chicago Dancemakers Forum as a culminating festival signaling the end of the multi-year Regional Dance Development […]

Movement Matters: An Interview with Jacinda Ratcliffe

By on November 16, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Jacinda Ratcliffe to discuss the rigors of dance training, whiteness in classical […]

Pas de Queer: Giselle, 2.0

By on November 13, 2017

Editor’s Note: The following is an adapted synopsis to Giselle, based on Kaitlyn’s first experience with the ballet when it was performed by the Joffrey Ballet last month. Their version is “lovingly ripped and heavily edited” directly from Joffrey’s program notes, and imagines what might have happened if the 1841 ballet were written today. It’s […]

Review: Carefully crafted, contained Salty Lark splits a bill with Philly’s Naked Stark

By on November 8, 2017

CHICAGO — This past weekend Madeleine Reber and her company Salty Lark Dance shared a split bill called 664 Miles with Philadelphia-based choreographer Katherine Kiefer Stark’s company The Naked Stark at Links Hall. Chicago-based Reber presented three works, all of which were steeped in a distinctive physicality based on her years of somatic study particularly with […]

Life after Scantron: On practical and oral assessment in higher education

By on October 14, 2017

Note: This post is not about dance, but easily could be. Assessment and measuring achievement in college and high school dance programs can be tricky business, and in my “day job” teaching health sciences courses at a university we face similar challenges. Here I lay out some reasons why I’ve found oral and practical assessment […]

Pas de Queer: A gender neutral grand allegro

By on September 22, 2017

A few months ago, something cool happened in ballet class. TEACHER: “After the pirouette, ladies: tombé, pas de bourree, glissade, jeté. Men: tombé pas de bourre, [crazy jump looks like a pas de chat caught in the spin cycle of a washing machine]. Got it?” Teacher looks around room, scrunches up face, inhales “Well…actually, if […]

Movement Matters: An Interview with Jose Santiago Perez

By on September 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with visual, performance and movement artist Jose Santiago Perez to discuss absence as an […]

Happy Birthday, Art Intercepts! You’re a beautiful disaster, and I just can’t quit you.

By on September 14, 2017

It was maybe 2011 when I reconsidered the name Art Intercepts. My thought process went something like: There’s no “dance” in the name. I obviously have nothing to do with the Cartesian Coordinate System. Everyone gets it wrong and types Arts Intercept instead of Art Intercepts, or uses AI, which makes me think of artificial […]

Contemporary, classical works and a holiday favorite to fill Madison Ballet’s season

By on September 5, 2017

MADISON, WI — Wisconsin’s Madison Ballet will usher in the 2017-2018 season with a variety of mixed-repertory performances and its annual production of The Nutcracker – a lineup of programming that follows in the vein of last season. Founded in 1981, the company has been under the artistic direction of W. Earle Smith since 1999. The […]

Pas de Queer: So, what’s your type?

By on August 20, 2017

Editor‘s Note: I’m so delighted to introduce Kaitlyn Dessoffy as a contributor to Art Intercepts, writing a new column called “Pas de Queer”. Kaitlyn will be sharing their personal experiences as a musical theater major turned dancer/choreographer in Chicago, in addition to delving into topics surrounding gender and sexuality in concert dance. Enjoy!  The “type” question […]

Movement Matters: An Interview with ALEXA GRÆ

By on August 16, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer, performance artist and vocalist ALEXA GRÆ (a.k.a. Alex Edgemon) to discuss the […]

Movement Matters: An interview with Kiam Marcelo Junio

By on July 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with visual, performance and movement artist Kiam Marcelo Junio to discuss the influence of […]

Juneteenth and Navigating Dublin: both are complicated

By on June 19, 2017

During a five week study abroad program in collaboration with the University of Illinois at Chicago and University College Dublin, during the summer of 2015, I had the pleasure of working with two undergraduate students on a qualitative research project related to sports psychology and dance. What we found were more similarities than differences, and […]

Movement Matters: An Interview with Joshua Ishmon

By on June 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dance artist Joshua Ishmon to discuss his roots in West African Funga dance […]

Kansas City New Dance Partners puts local dance front and center

By on June 9, 2017

KANSAS CTY, MO —  Kansas City New Dance Partners is an initiative launched in 2013 at Johnson County Community College (JCCC), located in the sprawling suburbs on the Kansas side of the two cities who share the same name. The goal of New Dance Partners is to elevate the local dance scene and bring it to […]

Beyond fairytale formula: Milwaukee Ballet presents Michael Pink’s ‘Mirror Mirror’

By on May 30, 2017

“Who’s the fairest of them all?” MILWAUKEE, WI — Jealousy, vanity, the quest for attractiveness – common enough. But what happens when these things become all consuming? That’s the slippery slope that Michael Pink’s Mirror Mirror explores in his reimagining of Snow White which Milwaukee Ballet will perform from June 1-4 at the Marcus Center. Premiered […]

Movement Matters: An Interview with Kia Smith

By on May 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Kia Smith to discuss the influences of jazz in movement, how generosity and […]

Review: Anna Martine Whitehead’s S P R E A D at Links Hall

By on April 28, 2017

CHICAGO — Few dancers in Chicago have broken out as distinctly as Anna Martine Whitehead did in her LinkUP residency-ending performance at Links Hall March 3-5, alongside an opening performance by Chicago mainstay Mitsu Salmon. It was a fitting end to Links Hall’s long-running LinkUP program – a truly punctuated, unforgettable send-off. Fearlessly squaring against […]

OnEdge plays in the periphery

By on March 3, 2017

CHICAGO — Working as an arts presenter is a hard job, and though I don’t know for certain, I would imagine that working for the City of Chicago is also hard. As Director of Performing Arts for the Department of Cultural Affairs and Special Events (DCASE), Shoshona Currier is doing both: administering city-funded performance-based programming, and […]

15th annual Flamenco Festival highlights its multi-cultural roots

By on February 28, 2017

CHICAGO — Through March 25, Instituto Cervantes’ Chicago Flamenco Festival showcases the breadth and depth of Flamenco. The five-week fest includes music and dance performances at a gaggle of venues around the city, with the kick-off event taking place last week at a chic west loop spot, City Winery. Opening night shined a lens on an […]

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