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Art Intercepts is an online platform for critical discourse about midwestern dance and performance

Editorial and critical content

News, reviews, and columns for and about the dance community.

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Qualitative research and literature reviews, plus relevant, evidence-based resources for the dance community.

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Catch up with the newest content on Art Intercepts.

Dance Dissection: Développé

By on December 6, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Tendu a la Second

By on December 6, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Dégagé from First Position

By on December 6, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Arabesque

By on December 6, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Passe Retire

By on December 5, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Rond de Jambe

By on December 5, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Dance Dissection: Tour Jete

By on November 28, 2017

Editor’s note: The “Dance Dissection” series is created by students enrolled in DANC-270: Dance Kinesiology at Loyola University Chicago. As one of their culminating projects, small groups of students are required to select a movement in dance and create a photo essay describing it in detail based on content presented in the course. Please understand […]

Review: ‘The Making’ exerts power over Pulaski Park

By on November 21, 2017

CHICAGO — Last Saturday marked the final performance of The Seldoms’ world premiere of The Making, an evening-length work for the company’s seven ensemble members, three visual artists and one live musician (plus all the other designers and administrative hands on deck). The evening unfolded at the remarkable Pulaski Park field house, which has been […]

The long game of elevating Chicago dance

By on November 17, 2017

CHICAGO — Elevate Chicago Dance came and went in October, and here I find myself near the end of November and still mulling over it. The one-time-only, three-day dance extravaganza known as Elevate Chicago Dance was organized by the Chicago Dancemakers Forum as a culminating festival signaling the end of the multi-year Regional Dance Development […]

Movement Matters: An Interview with Jacinda Ratcliffe

By on November 16, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Jacinda Ratcliffe to discuss the rigors of dance training, whiteness in classical […]

Pas de Queer: Giselle, 2.0

By on November 13, 2017

Editor’s Note: The following is an adapted synopsis to Giselle, based on Kaitlyn’s first experience with the ballet when it was performed by the Joffrey Ballet last month. Their version is “lovingly ripped and heavily edited” directly from Joffrey’s program notes, and imagines what might have happened if the 1841 ballet were written today. It’s […]

Review: Carefully crafted, contained Salty Lark splits a bill with Philly’s Naked Stark

By on November 8, 2017

CHICAGO — This past weekend Madeleine Reber and her company Salty Lark Dance shared a split bill called 664 Miles with Philadelphia-based choreographer Katherine Kiefer Stark’s company The Naked Stark at Links Hall. Chicago-based Reber presented three works, all of which were steeped in a distinctive physicality based on her years of somatic study particularly with […]

Life after Scantron: On practical and oral assessment in higher education

By on October 14, 2017

Note: This post is not about dance, but easily could be. Assessment and measuring achievement in college and high school dance programs can be tricky business, and in my “day job” teaching health sciences courses at a university we face similar challenges. Here I lay out some reasons why I’ve found oral and practical assessment […]

Pas de Queer: A gender neutral grand allegro

By on September 22, 2017

A few months ago, something cool happened in ballet class. TEACHER: “After the pirouette, ladies: tombé, pas de bourree, glissade, jeté. Men: tombé pas de bourre, [crazy jump looks like a pas de chat caught in the spin cycle of a washing machine]. Got it?” Teacher looks around room, scrunches up face, inhales “Well…actually, if […]

Movement Matters: An Interview with Jose Santiago Perez

By on September 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with visual, performance and movement artist Jose Santiago Perez to discuss absence as an […]

Happy Birthday, Art Intercepts! You’re a beautiful disaster, and I just can’t quit you.

By on September 14, 2017

It was maybe 2011 when I reconsidered the name Art Intercepts. My thought process went something like: There’s no “dance” in the name. I obviously have nothing to do with the Cartesian Coordinate System. Everyone gets it wrong and types Arts Intercept instead of Art Intercepts, or uses AI, which makes me think of artificial […]

Contemporary, classical works and a holiday favorite to fill Madison Ballet’s season

By on September 5, 2017

MADISON, WI — Wisconsin’s Madison Ballet will usher in the 2017-2018 season with a variety of mixed-repertory performances and its annual production of The Nutcracker – a lineup of programming that follows in the vein of last season. Founded in 1981, the company has been under the artistic direction of W. Earle Smith since 1999. The […]

Pas de Queer: So, what’s your type?

By on August 20, 2017

Editor‘s Note: I’m so delighted to introduce Kaitlyn Dessoffy as a contributor to Art Intercepts, writing a new column called “Pas de Queer”. Kaitlyn will be sharing their personal experiences as a musical theater major turned dancer/choreographer in Chicago, in addition to delving into topics surrounding gender and sexuality in concert dance. Enjoy!  The “type” question […]

Movement Matters: An Interview with ALEXA GRÆ

By on August 16, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer, performance artist and vocalist ALEXA GRÆ (a.k.a. Alex Edgemon) to discuss the […]

Movement Matters: An interview with Kiam Marcelo Junio

By on July 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with visual, performance and movement artist Kiam Marcelo Junio to discuss the influence of […]

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