Synapse returns to roots in ‘Openwork’

By on June 5, 2016

CHICAGO — A decade ago, Rachel Damon sat in a tree knitting a long red scarf. Her fledgling company performed many works like these — site-specific installations using multiple mediums — as we saw Synapse Arts Collective performing in parks, crosswalks and atop fabricated clouds. Since that time, Damon assumed leadership of the once-collective of multi-disciplinary artists, and the rebranded Synapse Arts refined its mission, upped its game, and dropped the homespun, crafty vibe of its early days.

The works of Synapse Arts have become increasingly abstract, with angsty content built on Damon’s angular movement vocabulary. But in her private life, Damon continued to knit as if she never came down from that tree. Synapse’s latest called Openwork (through Sunday at Links Hall) joins together her public and private lives in using needlework as the source for movement invention and a massive textile installation within the performance space.

Katie Matteson Campana and Gretchen Soechting by Matthew Gregory Hollis
Katie Matteson Campana and Gretchen Soechting by Matthew Gregory Hollis

On entering the room, audience members find four women in a circle knitting by hand, busying themselves with “women’s work.” The sense of work and busi-ness permeates the evening as the set is unravelled, reconfigured, and reconstructed each night. More so than the dancing, the manipulation of the textiles is what best commands my attention as I realize the balance between strength and fragility in the mass of loops and slipknots before me, and the parallels that can be drawn to womanhood. Openwork demonstrates a degree of delicacy and femininity that Synapse audiences may be unused to, but the multi-year project is one in which Damon lets down her defenses and explores previously unseen parts of her life.

Openwork runs through Sunday, 7pm at Links Hall, 3111 N. Western Ave. Tickets are $10-20, available online at Seating may be limited at the door. Some seats encourage a small degree of audience participation.

Lauren Warnecke is a regular dance contributor to the Chicago Tribune. She currently serves on the editorial team at Createquity, and as a GO culture critic for Chicago Magazine. Lauren has written reviews and feature articles for, Windy City Times, and Dance Magazine. She founded Art Intercepts in 2009, and also writes about arts policy, dance pedagogy, health and wellness, qualitative research methods and higher education for print and online publications. Lauren has created presentations, courses and curricula for universities, professional, and pre-professional organizations; presented at national and international conferences; and, for over a decade, managed extra-curricular arts programs for youth and adults in the non-profit sector. She is certified in a few random things, including the Cecchetti Method, aquatic exercise, olympic weightlifting, personal training and urban composting. Tweet her @artintercepts.

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