Review: Corey Smith’s “New Prairie School” examines the Midwest with humor, nonchalance

CHICAGO — The New Prairie School, an evening-length performance by composer, writer, and performer, Corey Smith, along with fellow performers and collaborators Ethan T. Parcell and Claire Saxe, debuted last weekend at Links Hall. As the title suggests, the work was partially inspired by research around Frank Lloyd Wright and the Prairie School of architecture of which he is most famously…

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Review: Lather.Rinse.Repeat | Fall.Climb.Release.

CHICAGO — The vibe was phenomenally good at Links Hall last weekend for Catalyst Movmnt’s first production, Lather.Rinse.Repeat | Fall. Climb. Release. The curatorial project spearheaded by recent Columbia College alums Aaliyah Christina and Keyierra Collins, promises (according to press materials) to promote “movement artists of color who desire to establish their voice on this bold and raw earth.” Well,…

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Review: ‘The Making’ exerts power over Pulaski Park

CHICAGO — Last Saturday marked the final performance of The Seldoms’ world premiere of The Making, an evening-length work for the company’s seven ensemble members, three visual artists and one live musician (plus all the other designers and administrative hands on deck). The evening unfolded at the remarkable Pulaski Park field house, which has been the the company’s artistic home…

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Contemporary, classical works and a holiday favorite to fill Madison Ballet’s season

MADISON, WI — Wisconsin’s Madison Ballet will usher in the 2017-2018 season with a variety of mixed-repertory performances and its annual production of The Nutcracker – a lineup of programming that follows in the vein of last season. Founded in 1981, the company has been under the artistic direction of W. Earle Smith since 1999. The former Wisconsin Dance Ensemble reorganized…

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The Cambrians return with ‘Empress Archer’

CHICAGO — Beginning in 2013, Benjamin Wardell dreamed up a process called “The Nexus Project.” He recruited dancers Michel Rodriguez Cintra and worked with a gaggle of choreographers, who developed duets for them, only to have those duets deconstructed and put back together again in a semi-improvised, never-the-same-way-twice series of intimate performances. It worked. The two dancers in a company with…

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Deeply Rooted’s 20th season opener highlights yin and yang (preview)

CHICAGO – “Time goes by quickly,” said Kevin Iega Jeff reflecting his tenure as Artistic Director of Deeply Rooted Dance Theater, “but we figure it out as we go along.” “Figuring it out” hasn’t been easy, but Jeff and co-founder Gary Abbott have remained hyper-focused and vigilant toward the company’s mission to diversify concert dance by joining ballet and modern aesthetics with African…

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dropshift dance looks to the feminine for ‘FloatBrilliance’

CHICAGO — FloatBrilliance, premiering this weekend at Links Hall, is the third installment of what Artistic Director Andrea Cerniglia calls the Imposter Series, a multi-year project consuming at least half of her company’s history. In dropshift dance’s six seasons, Cerniglia’s aesthetic has gently, steadily pulled away from her roots in Zephyr Dance, but her commitment to multiple mediums with equal…

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Synapse returns to roots in ‘Openwork’

CHICAGO — A decade ago, Rachel Damon sat in a tree knitting a long red scarf. Her fledgling company performed many works like these — site-specific installations using multiple mediums — as we saw Synapse Arts Collective performing in parks, crosswalks and atop fabricated clouds. Since that time, Damon assumed leadership of the once-collective of multi-disciplinary artists, and the rebranded Synapse Arts refined its…

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RockCitizen: Peace, Love, and Civil Unrest

CHICAGO — On its surface, The Seldoms’ latest RockCitizen (premiering Thursday, May 5 at the Storefront Theater) is an exploration and celebration of rock music and the counterculture that grew alongside or out of it. Indeed, rock ‘n’ roll informs and infuses the text, gestures, sound score, and onstage singing that play equal parts to dance in this work as…

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Timothy O’Donnell explores envy in ‘The Sixth Sin’

MILWAUKEE—While taking a brief hiatus from dancing, Timothy O’Donnell visited Milwaukee Ballet to take class on a whim. Artistic Director Michael Pink invited him to join the company that day, and the city to our north is now O’Donnell’s full-time home. In addition to dancing for Milwaukee Ballet, O’Donnell is also its Choreographer-in-Residence and assists with design and art direction…

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