*Note this review originally appeared on the JOMBA! Khuluma Blog, as part of the JOMBA! Contemporary Dance Experience Dance Writing Residency and is re-published with permission. DURBAN, KZN, SOUTH AFRICA — In the opening tableau of Musa Hlatshwayo’s “Udodana,” Hlatshwayo revolves around himself at mid-stage. A hooded figure, made moody by top light with gobos, Hlatshwayo carries a legless chair…