‘Delve’ dabbles deftly (review)

CHICAGO — Producer/choreographer Rachel Katz packed us in tightly for the one-night-only Delve at Menomonee Club’s Drucker Center in Lincoln Park. The fourth of its kind, Katz’s mission is to present a variety of up-and-coming choreographers, and indeed, this bento box of dance contained small bites in a great many flavors with a wide spectrum of jazz and contemporary offerings…

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Triplicate is hot and humid (review)

CHICAGO — With each passing year, the gaggles of new Dance Center of Columbia College grads brings the inevitability of at least one coming out concert at DIY venues across the city. The class of 2016 shows promise as it enters the real world, teeming with talent, if not confidence. Triplicate featured three such young grads, who presented a trio of works…

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Rewards > Risk at CMC’s Dance Shelter (review)

CHICAGO — For the past few seasons, Chicago Moving Company (CMC)’s Kay LaSota has produced a two-show package for the group’s home space at Hamlin Park. The first, D49, is a mid-summer fest featuring up and coming artists curated by CMC’s long time artists in residence: Rachel Bunting, Ayako Kato, and Atalee Judy. The audience’s favorites at D49 are then…

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DIY ‘Mess Hall’ Brings New Voices to the Fore (review)

  Heavy rain and the three steep flights of stairs up to Outerspace Studios couldn’t keep away the crowd as The Coincidentals’ Mess Hall convened for its second installment in two seasons. The series brings young artists, mostly friends and former Columbia College classmates of producers Jamie Corliss and Lydia Feuerhelm, together for what looks like a standard emerging artist…

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CTT: Time Travel with Tap (review)

CHICAGO — Each season, Chicago Tap Theatre (CTT) runs a fairly formulaic series of performances. There’s the holiday tap jam Tidings of Tap, a one-nighter at the Athenaeum, and a full-length narrative, usually staring the company’s Artistic Director and Business Manager, husband and wife team Mark Yonally and Jennifer Pfaff Yonally. While the content of each “tap ballet” is different…

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Chicago Danztheatre Ensemble tackles tough topics (review)

Celebrating 15 years this season, Chicago Danztheatre Ensemble (CDE)’s latest project is an ambitious investigation into sexual assault and domestic violence. Titled Bindis & Bruises, the 45-minute work of dance theater focuses in on this sensitive topic mostly through the lens of Indian women, driven by the real experiences of creators Ellyzabeth Adler and Priya Narayan. Running through March 19 at Ebenezer Lutheran Church…

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TDC’s ‘Chicago Revealed’ has everything but the kitchen sink (review)

No one can fault Thodos Dance Chicago (TDC) for a lack of variety. Titled “Chicago Revealed,” the company’s spring series last weekend at the Harris Theater for Music and Dance featured four works from three choreographers, each offering his/her take on Chicago, past and present. The program was divided into two halves, with Thodos’ latest narrative work Sono’s Journey followed by…

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‘Yellow Towel’ breaks all the rules — or maybe writes new ones

CHICAGO — As the audience piled into Chicago’s Storefront Theater for Dana Michel’s one-night engagement, the ordinarily dark space was dressed in sterile white drops and white marley. But nothing – absolutely nothing – about Michel’s solo work Yellow Towel is as plain as the space in which it lives. Michel is dressed in a black hoodie and sweatpants. She…

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Winifred Haun & Dancers in "Your nearest exit may be behind you" by Winifred Haun. Photo credit: Matthew Gregory Hollis, lighting by Julie Ballard

A Mixed Bag at Winifred Haun’s ‘First Draft’

CHICAGO — “You are really going to love this show,” said Winifred Haun onstage at the Ruth Page Center for the Performing Arts, “especially if you love chairs.” Indeed, chairs or some form thereof were coincidentally a part of all the dances on the program in First Draft, Haun’s two-day engagement featuring new-ish dances from five Chicago companies. Aside from the…

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Abundant Eye Candy in Joffrey’s ‘Bold Moves’ (review)

The contemporary works on Joffrey’s latest (through Feb. 21 at the Auditorium Theatre) have little in common, once again showing off the company’s versatility in a program that is bound to have something for everyone. There is something old (Jirí Kylián’s Forgotten Land), something new (world premiere Tipping Point by Ashley Page), something borrowed (Yuri Possokhov’s RAkU on loan from San…

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