Movement Matters: An Interview with Kia Smith

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Kia Smith to discuss the influences of jazz in movement, how generosity and family has informed her virtuosity…

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Winifred Haun & Dancers in "Your nearest exit may be behind you" by Winifred Haun. Photo credit: Matthew Gregory Hollis, lighting by Julie Ballard

A Mixed Bag at Winifred Haun’s ‘First Draft’

CHICAGO — “You are really going to love this show,” said Winifred Haun onstage at the Ruth Page Center for the Performing Arts, “especially if you love chairs.” Indeed, chairs or some form thereof were coincidentally a part of all the dances on the program in First Draft, Haun’s two-day engagement featuring new-ish dances from five Chicago companies. Aside from the…

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