Tag: Joffrey Ballet
Second ‘Evening of Ballet Stars’ a mix of contemporary and classic pas de deux
ST. LOUIS—With their second edition of “An Evening of Ballet Stars,” Dance St. Louis aimed to find out if lighting does, indeed, strike twice in the same place. Last year’s inaugural program featuring prominent principal dancers at Washington University played to a sold out crowd; on Sept. 28, the Edison Theatre was likewise heartily filled in for a new line-up…
Pas de Queer: Am I (Midsummer Night) Dreaming?
CHICAGO — In April, my partner and I attended the Joffrey Ballet’s performance of Alexander Ekman’s Midsummer Night’s Dream. We loved it. Neither of us have seen Joffrey take on something so weird. Case in point: there were three larger than life fish props and a genius incorporation of dancer-like stuffed mannequins that was downright unsettling. But the thing that…
Abundant Eye Candy in Joffrey’s ‘Bold Moves’ (review)
The contemporary works on Joffrey’s latest (through Feb. 21 at the Auditorium Theatre) have little in common, once again showing off the company’s versatility in a program that is bound to have something for everyone. There is something old (Jirí Kylián’s Forgotten Land), something new (world premiere Tipping Point by Ashley Page), something borrowed (Yuri Possokhov’s RAkU on loan from San…
Choreographer Ashley Page Premieres Joffrey Work in ‘Bold Moves’
CHICAGO — After nearly three decades dancing and choreographing with the Royal Ballet in his native London, and another in Glasgow as the director of the Scottish Ballet, award-winning choreographer Ashley Page struck out on his own as a freelancer. After leaving the Scottish Ballet in 2012, Page now travels the globe creating contemporary ballets for some of the world’s…
Joffrey’s ‘Sylvia’ breaks from tradition, just like it used to
Following a highly successful pre-season weekend last month featuring up-and-coming choreographers, the official opening night of the Joffrey Ballet’s 60th anniversary season threw many of ballet’s conventions out the window. Entering the theater, we were greeted by an open main curtain and three dancers already onstage. We wanted to clap for the orchestra conductor (Chicago Philharmonic’s wonderful Scott Speck) as…
A New Lens for Dance: Pros and Cons of Live Streaming Performance
CHICAGO — Dance for the camera is nothing new, but with idevices, YouTube and the Internet literally everywhere, broadcasting dance to living room sofas is easier than ever. Chicago companies large and small are trying it out, in different iterations, and for slightly different reasons. The common goal, however, is to access and engage with new audience members. In the…
Highlights to look for in 2014-15 (and tickets on the cheap)
Season announcements for the big venues have been trickling into my inbox, and this is actually the time to think about loading your dance calendar. Why? Tickets are cheap! Here are a few highlights you may want to consider for some #chidance next season: The Auditorium Theatre celebrates 125 years next season, and with this big milestone comes a really…
Cloud Gate approaches….
In what may be the most comprehensive marketing campaign I’ve ever seen, Cloud Gate Dance Theatre of Taiwan’s visit to Chicago next week might be the most highly anticipated event of the season. Three of our heavy hitters of the Chicago dance scene – The Joffrey Ballet, Auditorium Theatre of Roosevelt University, and the Dance Center of Columbia College Chicago…
Joffrey tests its boundaries in ‘Contemporary Choreographers’ (preview)
“Choreography is where dance makes sense to me,” says Chicago-based choreographer Brock Clawson. Amidst the polar vortex, Clawson joined the Joffrey Ballet for a few weeks to set his work Crossing Ashland on the company. Clawson has become highly regarded as a distinguished choreographer in Chicago since retiring from performing for Thodos Dance Chicago less than a decade ago. Having…
Visions of Sugar Plums (2013 Nutcracker Preview)
The Joffrey Ballet has been delighting audiences with its Nutcracker for 26 years. I remember seeing it about ten years ago and remarking on what a special production it is. It was the heyday of Calvin Kitten, and the lavish costumes, sets, and dancing made for a really fun experience. Nutcracker can get a little: “if you’ve seen one you’ve…