The contemporary works on Joffrey’s latest (through Feb. 21 at the Auditorium Theatre) have little in common, once again showing off the company’s versatility in a program that is bound to have something for everyone. There is something old (Jirí Kylián’s Forgotten Land), something new (world premiere Tipping Point by Ashley Page), something borrowed (Yuri Possokhov’s RAkU on loan from San…

CHICAGO — Dance for the camera is nothing new, but with idevices, YouTube and the Internet literally everywhere, broadcasting dance to living room sofas is easier than ever. Chicago companies large and small are trying it out, in different iterations, and for slightly different reasons. The common goal, however, is to access and engage with new audience members. In the…