Tag: audience format
dropshift dance looks to the feminine for ‘FloatBrilliance’
CHICAGO — FloatBrilliance, premiering this weekend at Links Hall, is the third installment of what Artistic Director Andrea Cerniglia calls the Imposter Series, a multi-year…
Robyn Mineko Williams goes UNDER(cover) at Links
CHICAGO — Robyn Mineko Williams, fast becoming one of the most recognizable names in Chicago dance, premieres a new episode of UNDER(cover) this weekend at…
Urban Bush Women Celebrate Coltrane, Embody Jazz (review)
CHICAGO — Jazz music and contemporary dance: misunderstood genres which often operate ahead of their time. It isn’t until years, or even decades later that audiences…
Lucky Plush Breaks Into the Harris
My first thought upon walking into the house of the Lucky Plush Productions’ Mix at Six and seeing a bunch of strangers was: “Why isn’t every…
The Cronus Land Seduces the Senses (review)
Are dances made for artists or audiences? Yes. There is a delicate balance between art for art’s sake and pure entertainment. On the one hand,…
‘The Salts’ really know how to party
The Salts is the latest show put on by The Inconvenience, marking the first time that the ultra-hip multi-disciplinary performance collective has dedicated a full…
The ‘Carpenter COLEctive’ is greater than the sum of its parts
CHICAGO — Margi Cole and Peter Carpenter have been courting for awhile (artistically, that is). Cole has joined Carpenter as a dancer for the last…
Montom Mixes and Mingles at Mana
Visiting Mana Contemporary at its relatively new Chicago location nestled in a weird, barren block of Pilsen is becoming a more frequent occasion, and it seems likely…
Nexus Redux
Does Chicago need another new dance company? No. Does Chicago need another new dance studio? Probably not. And yet, it felt so exciting walking into…
Khecari’s ‘Oubliette’ will soon be gone, but not forgotten
The feeling one gets entering Khecari’s latest performance environment must be how Mary Lennox felt when she first encountered the soggy and dead secret garden on the…
