In Chicago debut, Opera Atelier at the Harris is radically traditional

By on November 16, 2018

CHICAGO — The Harris Theater’s 15th anniversary season is in high gear, with a successful run from Miami City Ballet last weekend and, through Saturday afternoon, the Chicago debut of Opera Atelier. Miami City’s engagement marked the true end of Michael Tiknis’ tenure as President at the Harris; although he left the post in 2016, […]

Movement Matters: The Uses of Vulgarity

By on November 13, 2018

CHICAGO —I’ve been told by lay dancers many a time that I shouldn’t call myself a choreographer, that they respect that word too much to use it in such a vulgar way, without the force of some verisimilitude beyond the immediacy of composing movement in the imagination. I don’t agree, of course. But as an […]

Jane Eyre hasn’t felt this fresh since the 1840s

By on November 10, 2018

EVANSTON, IL — The weather was cold with spitting rain and a swirling wind that no umbrella could fight. But as I crossed the parking lot on campus at Northwestern University’s Wirtz Center for the Performing Arts, a woman walking next to me gleefully reminded me to look at the lake. Even on this terrible […]

Shared bill between Esoteric Dance and Project Bound is an exercise in restraint

By on October 28, 2018

CHICAGO — At a cozy 119 seats, the Edgewater neighborhood’s new Edge Theater fills a much-needed gap in the dance community. It provides a critical step up between 50-seat DIY spaces such as Links Hall and Hamlin Park field house and more daunting venues such as Ruth Page and the Athenaeum Theatre. Taking a chance […]

Pas de Queer: A brief primer on talking to trans and non-binary people

By on October 10, 2018

In the spirit of full disclosure, this is not a post about dance. Recently, some of my friends, coworkers, and family members have asked me questions regarding my gender identity. With my content on Art Intercepts, I hope to spread awareness about the experiences trans dancers go through in concert dance. But to impact any […]

Rewriting the narrative to put women choreographers and dance leaders center stage

By on October 6, 2018

In a letter dated January 1, 2018, Peter Martins stepped down from his post as artistic director of the New York City Ballet (NYCB) and head of the School of American Ballet amidst allegations of physical abuse from five dancers in the company. The accusations came at the height of #MeToo, a social media-turned activist […]

Civic Orchestra’s centennial season kicks off with ‘Concert for Chicago,’ played side-by-side with CSO

By on September 22, 2018

CHICAGO — A summery breeze swirled through the Jay Priztker Pavilion Thursday evening, tempering an unseasonably warm day in Chicago and part of a picture-perfect evening in Millennium Park. Joining me were more than 10,000 Chicagoans, gathered for the season openers of the Chicago Symphony Orchestra (CSO) and the Civic Orchestra of Chicago, the CSO’s […]

Thirteen Days in Durban

By on September 21, 2018

*Note: This piece appears in the JOMBA! Khuluma Digital, a magazine summarizing the 20th annual JOMBA! Contemporary Dance Experience. Five students at the University of Kwazulu-Natal participated in a Dance Writing Residency, engaging with dance writing and criticism in conjunction with the festival. Re-published with permission. DURBAN, KZN, SOUTH AFRICA — …and so begins my […]

Blame it on the rain: Three dances impacted, though not inspired by a spring rain in Durban

By on September 10, 2018

*Note this review originally appeared on the JOMBA! Khuluma Blog, as part of the JOMBA! Contemporary Dance Experience Dance Writing Residency and is re-published with permission. DURBAN, KZN, SOUTH AFRICA — A day of rain did not keep Ioannis Mandafounis and Emilia Giudicelli from dancing in the driveway outside the Elizabeth Sneddon Theatre for the […]

‘Udodana’ lays bare personal and political identities of Musa Hlatshwayo

By on September 7, 2018

*Note this review originally appeared on the JOMBA! Khuluma Blog, as part of the JOMBA! Contemporary Dance Experience Dance Writing Residency and is re-published with permission. DURBAN, KZN, SOUTH AFRICA — In the opening tableau of Musa Hlatshwayo’s “Udodana,” Hlatshwayo revolves around himself at mid-stage. A hooded figure, made moody by top light with gobos, […]