Posts by: admin

Life after Scantron: On practical and oral assessment in higher education

By on October 14, 2017

Note: This post is not about dance, but easily could be. Assessment and measuring achievement in college and high school dance programs can be tricky business, and in my “day job” teaching health sciences courses at a university we face similar challenges. Here I lay out some reasons why I’ve found oral and practical assessment […]

Happy Birthday, Art Intercepts! You’re a beautiful disaster, and I just can’t quit you.

By on September 14, 2017

It was maybe 2011 when I reconsidered the name Art Intercepts. My thought process went something like: There’s no “dance” in the name. I obviously have nothing to do with the Cartesian Coordinate System. Everyone gets it wrong and types Arts Intercept instead of Art Intercepts, or uses AI, which makes me think of artificial […]

Juneteenth and Navigating Dublin: both are complicated

By on June 19, 2017

During a five week study abroad program in collaboration with the University of Illinois at Chicago and University College Dublin, during the summer of 2015, I had the pleasure of working with two undergraduate students on a qualitative research project related to sports psychology and dance. What we found were more similarities than differences, and […]

Kansas City New Dance Partners puts local dance front and center

By on June 9, 2017

KANSAS CTY, MO —  Kansas City New Dance Partners is an initiative launched in 2013 at Johnson County Community College (JCCC), located in the sprawling suburbs on the Kansas side of the two cities who share the same name. The goal of New Dance Partners is to elevate the local dance scene and bring it to […]

OnEdge plays in the periphery

By on March 3, 2017

CHICAGO — Working as an arts presenter is a hard job, and though I don’t know for certain, I would imagine that working for the City of Chicago is also hard. As Director of Performing Arts for the Department of Cultural Affairs and Special Events (DCASE), Shoshona Currier is doing both: administering city-funded performance-based programming, and […]

15th annual Flamenco Festival highlights its multi-cultural roots

By on February 28, 2017

CHICAGO — Through March 25, Instituto Cervantes’ Chicago Flamenco Festival showcases the breadth and depth of Flamenco. The five-week fest includes music and dance performances at a gaggle of venues around the city, with the kick-off event taking place last week at a chic west loop spot, City Winery. Opening night shined a lens on an […]

Music and musings are just ‘Some of a Thousand Words’

By on February 26, 2017

CHICAGO — A one-nighter last Saturday marked the second of NYC-based Brian Brooks’ Chicago engagements during his tenure as the inaugural choreographer in residence at the Harris Theater, and his second collaboration with retired New York City Ballet super star Wendy Whelan. Whelan and Brooks each had their own solos to diversify the night’s gaggle of […]

The Cambrians return with ‘Empress Archer’

By on February 18, 2017

CHICAGO — Beginning in 2013, Benjamin Wardell dreamed up a process called “The Nexus Project.” He recruited dancers Michel Rodriguez Cintra and worked with a gaggle of choreographers, who developed duets for them, only to have those duets deconstructed and put back together again in a semi-improvised, never-the-same-way-twice series of intimate performances. It worked. The two […]

Pulling dance from a hat: Milwaukee’s ‘Genesis’ project

By on February 14, 2017

MILWAUKEE, WI — Every other year, Milwaukee Ballet’s artistic director Michael Pink sifts through a pile of applications one-by-one to select three choreographers. Some are up-and-coming, some pretty established. Pink wants a clear idea and the potential for a great piece. The only other requirement: be affiliated with a professional company. Choreographers from all over […]

Deeply Rooted’s 20th season opener highlights yin and yang (preview)

By on December 1, 2016

CHICAGO – “Time goes by quickly,” said Kevin Iega Jeff reflecting his tenure as Artistic Director of Deeply Rooted Dance Theater, “but we figure it out as we go along.” “Figuring it out” hasn’t been easy, but Jeff and co-founder Gary Abbott have remained hyper-focused and vigilant toward the company’s mission to diversify concert dance by […]

Aerial Dance Chicago gets Spooky

By on November 8, 2016

CHICAGO – Aerial Dance Chicago (ADC)’s loft space off the Irving Park blue line provided an intimate and appropriate setting for Ghost Stories, the company’s fall concert held Halloween weekend and dedicated to all things spooky. Each dance alluded to the battle between good and evil, light and dark, heaven and earth (and perhaps what lies beneath […]

Changes afoot at the Auditorium Theatre

By on November 1, 2016

CHICAGO – Tania Castroverde Moskalenko officially took the helm as the new CEO of the Auditorium Theatre of Roosevelt University at a press luncheon onstage Oct. 27. Key stakeholders from the University, organizational leaders from many of the companies who perform regularly at the Auditorium, board members, and representatives from a number of arts advocacy organizations were […]

An audience-centered ‘choose your own adventure’ with Zephyr

By on October 19, 2016

CHICAGO — Nearly a year after the Amid Festival, a magical gathering of performing artists grappling with aging bodies, festival curator and Zephyr Dance artistic director Michelle Kranicke presents her latest project Oct. 20-23 at Defibrillator Gallery. Valise 13 originally rose from a curiosity about travel. In selecting the French word for suitcase as her title, Kranicke […]

Nora Sharp and Haydee Souffrant: seeking syncronicity

By on September 23, 2016

CHICAGO — Links Hall’s white space was packed to the gills Sept. 18 for the last of three performances of “Belonging,” as is usually the case in choreographers’ first attempts at a concert. The split bill shared by Nora Sharp and Haydée Souffrant was as full as the audience, with well over an hour of […]

Choreographer Alex Sanchez makes his Goodman debut in ‘Wonderful Town’

By on September 20, 2016

CHICAGO — One of Dance Magazine’s 2015 “25 to watch,” choreographer Alex Sanchez makes his Goodman Theatre debut with Leonard Bernstein’s Wonderful Town. The Chicago native trained at Ruth Page Center for the Arts and performed four seasons with Ballet Chicago in the late 80s and early 90s under artistic director Daniel Duell. His 40-week […]

JUBA! Surprises and Delights (review)

By on July 28, 2016

CHICAGO — Last weekend’s JUBA! puts a cap on the 26th annual Rhythm World: Chicago Human Rhythm Project (CHRP)’s month-long tap festival including classes, workshops and performances. For more than half of its 26 years, the Museum of Contemporary Art (MCA) has been the site of this culminating event, bringing some of the best and […]

Dance/USA broadens its scope to a more inclusive future

By on July 13, 2016

AUSTIN – “How do we facilitate a more robust conversation about art?” @dusaorg “As art practitioners, when do we need a mirror and when do we need action?” @wocaonline “How can we expand the notion of aesthetics to be more inclusive?” @dusaorg The 2016 Annual Conference for Dance/USA, a national service organization for American dance companies, convened in […]

‘Delve’ dabbles deftly (review)

By on June 27, 2016

CHICAGO — Producer/choreographer Rachel Katz packed us in tightly for the one-night-only Delve at Menomonee Club’s Drucker Center in Lincoln Park. The fourth of its kind, Katz’s mission is to present a variety of up-and-coming choreographers, and indeed, this bento box of dance contained small bites in a great many flavors with a wide spectrum […]

Triplicate is hot and humid (review)

By on June 22, 2016

CHICAGO — With each passing year, the gaggles of new Dance Center of Columbia College grads brings the inevitability of at least one coming out concert at DIY venues across the city. The class of 2016 shows promise as it enters the real world, teeming with talent, if not confidence. Triplicate featured three such young grads, who […]

dropshift dance looks to the feminine for ‘FloatBrilliance’

By on June 14, 2016

CHICAGO — FloatBrilliance, premiering this weekend at Links Hall, is the third installment of what Artistic Director Andrea Cerniglia calls the Imposter Series, a multi-year project consuming at least half of her company’s history. In dropshift dance’s six seasons, Cerniglia’s aesthetic has gently, steadily pulled away from her roots in Zephyr Dance, but her commitment […]