Chicago dance

Review: Lather.Rinse.Repeat | Fall.Climb.Release.

By on January 9, 2018

CHICAGO — The vibe was phenomenally good at Links Hall last weekend for Catalyst Movmnt’s first production, Lather.Rinse.Repeat | Fall. Climb. Release. The curatorial project spearheaded by recent Columbia College alums Aaliyah Christina and Keyierra Collins, promises (according to press materials) to promote “movement artists of color who desire to establish their voice on this […]

Review: ‘The Making’ exerts power over Pulaski Park

By on November 21, 2017

CHICAGO — Last Saturday marked the final performance of The Seldoms’ world premiere of The Making, an evening-length work for the company’s seven ensemble members, three visual artists and one live musician (plus all the other designers and administrative hands on deck). The evening unfolded at the remarkable Pulaski Park field house, which has been […]

The long game of elevating Chicago dance

By on November 17, 2017

CHICAGO — Elevate Chicago Dance came and went in October, and here I find myself near the end of November and still mulling over it. The one-time-only, three-day dance extravaganza known as Elevate Chicago Dance was organized by the Chicago Dancemakers Forum as a culminating festival signaling the end of the multi-year Regional Dance Development […]

Movement Matters: An Interview with Jacinda Ratcliffe

By on November 16, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Jacinda Ratcliffe to discuss the rigors of dance training, whiteness in classical […]

Review: Carefully crafted, contained Salty Lark splits a bill with Philly’s Naked Stark

By on November 8, 2017

CHICAGO — This past weekend Madeleine Reber and her company Salty Lark Dance shared a split bill called 664 Miles with Philadelphia-based choreographer Katherine Kiefer Stark’s company The Naked Stark at Links Hall. Chicago-based Reber presented three works, all of which were steeped in a distinctive physicality based on her years of somatic study particularly with […]

Pas de Queer: A gender neutral grand allegro

By on September 22, 2017

A few months ago, something cool happened in ballet class. TEACHER: “After the pirouette, ladies: tombé, pas de bourree, glissade, jeté. Men: tombé pas de bourre, [crazy jump looks like a pas de chat caught in the spin cycle of a washing machine]. Got it?” Teacher looks around room, scrunches up face, inhales “Well…actually, if […]

Pas de Queer: So, what’s your type?

By on August 20, 2017

Editor‘s Note: I’m so delighted to introduce Kaitlyn Dessoffy as a contributor to Art Intercepts, writing a new column called “Pas de Queer”. Kaitlyn will be sharing their personal experiences as a musical theater major turned dancer/choreographer in Chicago, in addition to delving into topics surrounding gender and sexuality in concert dance. Enjoy!  The “type” question […]

Movement Matters: An Interview with Joshua Ishmon

By on June 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dance artist Joshua Ishmon to discuss his roots in West African Funga dance […]

Movement Matters: An Interview with Kia Smith

By on May 15, 2017

Movement Matters is a monthly column by Michael Workman that investigates performers whose work intersects politics, policy, and issues related to the body as the locus of socio-cultural dialogues on race, gender, ability and more. For this installment, we sit down with dancer Kia Smith to discuss the influences of jazz in movement, how generosity and […]

OnEdge plays in the periphery

By on March 3, 2017

CHICAGO — Working as an arts presenter is a hard job, and though I don’t know for certain, I would imagine that working for the City of Chicago is also hard. As Director of Performing Arts for the Department of Cultural Affairs and Special Events (DCASE), Shoshona Currier is doing both: administering city-funded performance-based programming, and […]

Deeply Rooted’s 20th season opener highlights yin and yang (preview)

By on December 1, 2016

CHICAGO – “Time goes by quickly,” said Kevin Iega Jeff reflecting his tenure as Artistic Director of Deeply Rooted Dance Theater, “but we figure it out as we go along.” “Figuring it out” hasn’t been easy, but Jeff and co-founder Gary Abbott have remained hyper-focused and vigilant toward the company’s mission to diversify concert dance by […]

Aerial Dance Chicago gets Spooky

By on November 8, 2016

CHICAGO – Aerial Dance Chicago (ADC)’s loft space off the Irving Park blue line provided an intimate and appropriate setting for Ghost Stories, the company’s fall concert held Halloween weekend and dedicated to all things spooky. Each dance alluded to the battle between good and evil, light and dark, heaven and earth (and perhaps what lies beneath […]

Changes afoot at the Auditorium Theatre

By on November 1, 2016

CHICAGO – Tania Castroverde Moskalenko officially took the helm as the new CEO of the Auditorium Theatre of Roosevelt University at a press luncheon onstage Oct. 27. Key stakeholders from the University, organizational leaders from many of the companies who perform regularly at the Auditorium, board members, and representatives from a number of arts advocacy organizations were […]

An audience-centered ‘choose your own adventure’ with Zephyr

By on October 19, 2016

CHICAGO — Nearly a year after the Amid Festival, a magical gathering of performing artists grappling with aging bodies, festival curator and Zephyr Dance artistic director Michelle Kranicke presents her latest project Oct. 20-23 at Defibrillator Gallery. Valise 13 originally rose from a curiosity about travel. In selecting the French word for suitcase as her title, Kranicke […]

Nora Sharp and Haydee Souffrant: seeking syncronicity

By on September 23, 2016

CHICAGO — Links Hall’s white space was packed to the gills Sept. 18 for the last of three performances of “Belonging,” as is usually the case in choreographers’ first attempts at a concert. The split bill shared by Nora Sharp and Haydée Souffrant was as full as the audience, with well over an hour of […]

Choreographer Alex Sanchez makes his Goodman debut in ‘Wonderful Town’

By on September 20, 2016

CHICAGO — One of Dance Magazine’s 2015 “25 to watch,” choreographer Alex Sanchez makes his Goodman Theatre debut with Leonard Bernstein’s Wonderful Town. The Chicago native trained at Ruth Page Center for the Arts and performed four seasons with Ballet Chicago in the late 80s and early 90s under artistic director Daniel Duell. His 40-week […]

JUBA! Surprises and Delights (review)

By on July 28, 2016

CHICAGO — Last weekend’s JUBA! puts a cap on the 26th annual Rhythm World: Chicago Human Rhythm Project (CHRP)’s month-long tap festival including classes, workshops and performances. For more than half of its 26 years, the Museum of Contemporary Art (MCA) has been the site of this culminating event, bringing some of the best and […]

‘Delve’ dabbles deftly (review)

By on June 27, 2016

CHICAGO — Producer/choreographer Rachel Katz packed us in tightly for the one-night-only Delve at Menomonee Club’s Drucker Center in Lincoln Park. The fourth of its kind, Katz’s mission is to present a variety of up-and-coming choreographers, and indeed, this bento box of dance contained small bites in a great many flavors with a wide spectrum […]

Triplicate is hot and humid (review)

By on June 22, 2016

CHICAGO — With each passing year, the gaggles of new Dance Center of Columbia College grads brings the inevitability of at least one coming out concert at DIY venues across the city. The class of 2016 shows promise as it enters the real world, teeming with talent, if not confidence. Triplicate featured three such young grads, who […]

dropshift dance looks to the feminine for ‘FloatBrilliance’

By on June 14, 2016

CHICAGO — FloatBrilliance, premiering this weekend at Links Hall, is the third installment of what Artistic Director Andrea Cerniglia calls the Imposter Series, a multi-year project consuming at least half of her company’s history. In dropshift dance’s six seasons, Cerniglia’s aesthetic has gently, steadily pulled away from her roots in Zephyr Dance, but her commitment […]