Letter to the Editor: Harris Theater Announces Choreographer-in-Residence Brian Brooks

Note: The following is an anonymous response to a recent announcement by Chicago’s Harris Theater for Music and Dance granting $600,000 over the course of…

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Timothy O’Donnell explores envy in ‘The Sixth Sin’

MILWAUKEE—While taking a brief hiatus from dancing, Timothy O’Donnell visited Milwaukee Ballet to take class on a whim. Artistic Director Michael Pink invited him to…

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Chicago Danztheatre Ensemble tackles tough topics (review)

Celebrating 15 years this season, Chicago Danztheatre Ensemble (CDE)’s latest project is an ambitious investigation into sexual assault and domestic violence. Titled Bindis & Bruises, the…

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The Dance COLEctive Celebrates 20 Years with ‘Revelry’

Margi Cole has long been known as a teacher, at the Dance Center of Columbia College and across the globe, bringing her “Margi-isms” and wacky metaphors…

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TDC’s ‘Chicago Revealed’ has everything but the kitchen sink (review)

No one can fault Thodos Dance Chicago (TDC) for a lack of variety. Titled “Chicago Revealed,” the company’s spring series last weekend at the Harris…

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‘Yellow Towel’ breaks all the rules — or maybe writes new ones

CHICAGO — As the audience piled into Chicago’s Storefront Theater for Dana Michel’s one-night engagement, the ordinarily dark space was dressed in sterile white drops…

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Winifred Haun & Dancers in "Your nearest exit may be behind you" by Winifred Haun. Photo credit: Matthew Gregory Hollis, lighting by Julie Ballard

A Mixed Bag at Winifred Haun’s ‘First Draft’

CHICAGO — “You are really going to love this show,” said Winifred Haun onstage at the Ruth Page Center for the Performing Arts, “especially if…

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Art for Art’s Sake in Pink’s Dorian Gray? (review)

MILWAUKEE, WI—Oscar Wilde’s prerogative about art was that it served little purpose but to fill the world with beauty and pleasure, and he lived his…

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Urban Bush Women Celebrate Coltrane, Embody Jazz (review)

CHICAGO — Jazz music and contemporary dance: misunderstood genres which often operate ahead of their time. It isn’t until years, or even decades later that audiences…

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Abundant Eye Candy in Joffrey’s ‘Bold Moves’ (review)

The contemporary works on Joffrey’s latest (through Feb. 21 at the Auditorium Theatre) have little in common, once again showing off the company’s versatility in a…

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